{"id":191,"date":"2017-03-12T15:12:14","date_gmt":"2017-03-15T15:12:14","guid":{"rendered":"http:\/\/webshop.meonline.hu\/product\/me-20164\/"},"modified":"2017-04-21T18:21:36","modified_gmt":"2017-04-21T18:21:36","slug":"me-20164","status":"publish","type":"product","link":"http:\/\/webshop.meonline.hu\/en\/termek\/me-20164\/","title":{"rendered":"M\u00c9 2016\/4"},"content":{"rendered":"<p>Hungarian Architecture 2016\/4<br \/>\n&nbsp;<\/p>\n<div class=\"tartalom\">\n   <a target=\"_blank\" href=\"http:\/\/meonline.hu\/en\/category\/archivum\/2016\/20164\/\"  style=\"color:#ffffff;\">Check out our issue of 2016\/4 on our website!<\/a>\n<\/div>\n<p>&nbsp;<\/p>\n<h4>Content<\/h4>\n<p>SCENE<\/p>\n<p>The new chairman of Association of Hungarian Architects: Andr\u00e1s Krizs\u00e1n DLA<br \/>\n15th Venice Biennale of Architecture II. The International Participation \u2013 Gy\u00f6rgy Szeg\u0151<br \/>\nLiget Project Landscape Design Contest: a Survey of the Winning Schemes<br \/>\nLight Axis. On the Life, Death and Art of Gy\u00f6rgy Csete (1937\u20132016)<\/p>\n<p>THEME<\/p>\n<p>The Focal Point Found. Digital Power Plant and National Film History Theme Park, \u00d3zd \u2013 Eszter G\u00f6tz<br \/>\nHanding Down Knowledge at the Highest Level. Alm\u00e1sy Mansion, Visitors\u2019 Centre, Gyula \u2013 Edit P\u00e1link\u00e1s<br \/>\nVenues in Eger: Ruins of Valide Sultana Baths; Ell\u00e1t\u00f3 \u2013 Arkt Arts Centre \u2013 Mikl\u00f3s Okrutay<br \/>\nThe First Shot. MOME Workshop House, Budapest \u2013 B\u00e1lint Botzheim<br \/>\nInstead of Demolishing. Bige Holding Office Block, Ny\u00edregyh\u00e1za \u2013 Zolt\u00e1n Gy\u0151rffy<br \/>\nA Drop of Water Wrapped Around. Bike-centre by the Lake Tisza \u2013 D\u00e1vid B\u00e1n<br \/>\nExemplary Standards. Health Centre, Csom\u00e1d \u2013 S\u00e1ndor Csont\u00f3<br \/>\nWorlds Evolving Out of Wall Fragments. Holocaust Memorial Wall, Olaszliszka \u2013 Marianna Ber\u00e9nyi<br \/>\nRenewed Heritage: Wroclaw, European Capital of Culture 2016 \u2013 Edit P\u00e1link\u00e1s<\/p>\n<p>POST SCRIPTUM<\/p>\n<p>Silence as a Concept of Architectural Space. Contemplative Spaces in Church Architecture Today II \u2013 Vilmos Katona<br \/>\nContinuous Present. On the 50th Anniversary of the Hungarian Society of Urbanistics \u2013 Imre K\u00f6rmendy<br \/>\nHenszlmann Imre prize 2015. Salutation to Hap Gal\u00e9ria and Barnab\u00e1s Winkler \u2013 P\u00e1l L\u0151vei<br \/>\nRoundabout Ny\u00e1r\u00e1d. Conference on the Cross-Border Protection of Historic Buildings, Organized by the Teleki Foundation, 2016 \u2013 G\u00e1bor Nagy<br \/>\nSocialist Modernism in Serbia. Architectural Image of Titoism \u2013 \u00c9va Lovra<br \/>\nAction-like Architectural Interventions. Analysis of raumlaborberlin Pneumatic Projects \u2013 Gergely Hory<\/p>\n<p>PLAN<\/p>\n<p>Relocating Csontv\u00e1ry Museum Concept Tender, 1st Prize \u2013 Tam\u00e1s J\u00e1nos Pint\u00e9r, Vikt\u00f3ria Simon<br \/>\nCasablanca Market Hall, S.ARCH International Architecture Award 2nd Prize \u2013 G\u00e9za Kendik<\/p>\n<p>PASSAGE<\/p>\n<p>Translocation \u2013 Transformation. Ai Weiwei ki\u00e1ll\u00edt\u00e1sa, B\u00e9cs \u2013 Szeg\u0151 Gy\u00f6rgy<br \/>\nFriedrich Kiesler: A m\u0171v\u00e9szet hossz\u00fa, az \u00e9p\u00edt\u00e9szet v\u00e9gtelen \u2013 Szeg\u0151 Gy\u00f6rgy<br \/>\nDubravka \u0110ukanovi\u0107: Vajdas\u00e1gi r\u00f3mai katolikus templomok \u00e9p\u00edt\u00e9szete 1699\u20131939 \u2013 Hadik Andr\u00e1s<br \/>\n\u00c1zbej &#038; \u00c1zbej \u2013 M\u0171csarnok<br \/>\nBuilders \/ \u00c9p\u00edt\u0151k. Szeml\u00e9letform\u00e1l\u00e1s \u00e9s k\u00f6z\u00f6ss\u00e9gteremt\u00e9s \u2013 Hello Wood<br \/>\n\u00c9bli G\u00e1bor: Muzeum\u00e1nia \u2013 G\u00f6tz Eszter<\/p>\n<p>H\u00edrek, d\u00edjak, ki\u00e1ll\u00edt\u00e1sok, p\u00e1ly\u00e1zatok<\/p>\n<p>Lapsz\u00e1munk \u00e9p\u00edt\u00e9szei<br \/>\nLapsz\u00e1munk szerz\u0151i<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Incl. 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